Milli Jannides Cavewoman
Milli Jannides
Cavewoman, 2018
installation view: Hopkinson Mossman, Wellington
Milli Jannides
Levitate, 2017
oil on canvas
1700 x 1200mm
Milli Jannides
Cavewoman, 2018
installation view: Hopkinson Mossman, Wellington
Milli Jannides
Poet’s pen, 2017
oil on linen
300 x 400mm
Milli Jannides
Empty Léger, 2017
oil on linen
400 x 300mm
Milli Jannides
Cavewoman, 2018
installation view: Hopkinson Mossman, Wellington
Milli Jannides
Sky drop, 2017
oil on canvas
800 x 1200mm
Milli Jannides
Eye tied, 2017
oil on canvas
220 x 270mm
Milli Jannides
Cavewoman, 2018
installation view: Hopkinson Mossman, Wellington
Milli Jannides
This incipient madness, 2017
oil on canvas
1200 x 1500mm
Milli Jannides
Cavewoman, 2018
installation view: Hopkinson Mossman, Wellington
Milli Jannides
Intertwine, 2017
oil on canvas
1700 x 1200 mm
Milli Jannides
International gothic, 2017
oil on canvas
2000 x 1400 mm
Milli Jannides
Cavewoman, 2018
installation view: Hopkinson Mossman, Wellington
Milli Jannides
Butterfly inhibition, 2017
oil on canvas
350 x 400mm
Milli Jannides
Arrow sound, 2017
oil on canvas
890 x 1160mm
Milli Jannides
Cavewoman, 2018
installation view: Hopkinson Mossman, Wellington
But it’s precisely those things which escape one in the light. In the dark, they become phosphorescent.*
Hopkinson Mossman is pleased to present Cavewoman, a solo exhibition of new paintings by Milli Jannides.
Milli Jannides (1986, Sydney) graduated from Auckland’s Elam School of Fine Arts in 2009. She has studied at Glasgow School of Art (2007), Kunstakademie Dusseldorf (2010), and in 2013 completed her MFA at Royal College of the Arts in London. Since graduating from the Royal College she has based her studio in Europe, and undertaken two residencies in Mexico City in 2014 and 2015. Cavewoman presents new work made in Porto, Portugal, where Jannides is currently based.
Recent exhibitions include: Frottage Cottage, Hopkinson Mossman, Auckland (2017); The Company of Volcanoes, Hopkinson Mossman, Auckland (2016); Painting: A Transitive Space, St. Paul St Gallery, AUT, Auckland (2016); Necessary Distraction: A Painting Show, Auckland Art Gallery Toi o Tamaki (2015); Sound Bow (with Ruth Buchanan), Johan Berggren, Malmo (2014); and As the light dips, Hopkinson Mossman, Auckland (2014).
For further information, please contact the gallery.
* Clarice Lispector, Near to the Wild Heart, 1943